At the recent Standing Committee of the National Committee of the Chinese People’s Political Consultative Conference, Mr. Wu Zuqiang called for the importance of art education to resonate. I further point out that none of the thirty art colleges and universities in the country are specialized colleges for ethnic and folk arts. Most of them are western-style basic education for drawing triangles of plaster, and the teaching of Chinese painting is the set of wisteria, peony and grape. The long-standing national tradition of Chinese art is in danger of no successor or failure to succeed. This note also aroused the sympathy of many people. The tradition of ethnology in the Academy of Arts and Crafts, compared with its creative design, is dominant. Those who stayed in France since the May Fourth Movement, and the “Soviet Union of France and France” who stayed in the Soviet Union after liberation were considered to be the “regular army of the sculpting team. They don’t seem to like tradition.
Traditional issues, especially in the sculpture world. Although the United States is a country with a short history, it still values sculpture. The dance is very sculptural. They still have to study traditions and build traditions. How can we sit idly by the traditions? Some people seem to claim that sculpture is a model of “Sufa”. Therefore, many sculptures always wave their arms and stare, either reading or playing with pigeons, the same shape. There is no other subject matter in our big China? I want to be frank with the sculptural world, the kind of old-fashioned sculpture that filled me with eyes that Han Meilin didn’t want to engage in sculpture made me breathless. After all, I also have a sense of professionalism as an artist. I started to try different sculptures. The more we discover the problems in the sculpture world.